A(esthetic)FRO-PUNK

Nikita Richardson’s  article on how Afro-punk became a movement, mostly detailed on how black people did not have space in these punk areas. Despite the adherence to being progressive, conversations surrounding race were hardly given. So, James Spooner has worked very hard to create those spaces for black punk’s. 

            The mentions of being community based and anti-establishment is interesting when put next to a bunch a white people who are continuing to uphold exclusivity through racism. Even relating back to the AFROPUNK documentary, the fact that there are “nazi-skinheads” makes me think that punk was never truly meant to be a space for black people because it allowed neo-nazis to feel comfortable enough to establish their own group in this specific subculture. 

            Since the article was written in 2015, I myself have seen a sort of evolution for black punk peoples. More and more black creators who are delving into these aesthetics and popularizing them. Artist’s like Doja Cat and even Chloe x Halle have used these styles to creature new versions of songs they’ve already created. Willow Smith is one artist I think who exemplifies the afro-punk aesthetic well. Her being a nepo baby does detract from her ability to sell progressive ideas, but that doesn’t stop her from talking about them.

 As time goes on, I see more and more black alt people achieve commercial success and popularity. Artists like Baby Storme, Dizzy Fae; who does more electronic styles and the Nova Twins who do metal, are all gradually growing more popular. With more accessible social media platforms, its easier to see supporters, which I believe helps black alt kids find community more easily. What I am seeing is the affects of people like James Spooner who have fought tirelessly for black people to exist in this genre.